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Sebastian Shaw
(Kevin Bacon) and his gang: Azazel, the tornado guy, and Emma Frost (January Jones)
push their agenda for world domination through intimidation and mind control,
pushing the United States and the Soviet Union to the brink of a nuclear World
War. Meanwhile, Charles Xavier (James McAvoy) and Raven Darkholme (Jennifer
Lawrence) discover the existence of other mutants as they struggle to form a
CIA-backed elite team to stop the said event. Along the way they meet Erik
Lehnsherr (Michael Fassbender), a metal-bending mutant with a lot of emotional baggage
out for revenge.
Judging from both
Hugh Jackman and Rebecca Romijn’s respective cameos and the extended Auschwitz
scene from the first movie in the franchise, X-Men First Class seems to be
positioning itself as a prequel to the previous four. It actually is a good
precursor in terms of characterization in that it really helps a lot in
understanding why the characters think and act the way they do in the Marvel
movie universe, with emphasis on the word movie. Another noteworthy observation
would be the various references to the origins of some important items that successfully
link this movie to the others such as Magneto’s Helmet, the Blackbird, and
Cerebro, to name a few. However, there are just so many inconsistencies in plot
and timeline to link this one to the four earlier sequels. You would probably
have to declare several of them as non-cannon just for the others to work. The
perfect example would be Emma Frost.
At least in this
movie she gets to display her kick-ass mental gifts strong enough to rival
Xavier’s, although the producers just could not seem to get enough of her ability
to turn into diamond just because it looks good on screen. In the Wolverine
movie, we see her portrayed by a younger actress who meets Charles Xavier while
escaping from captivity. The problem is, that particular Xavier was Patrick
Stewart. In this movie she is played by January Jones, a lot older and almost
the same age as Xavier, portrayed by McAvoy. So unless you would argue that
McAvoy is actually the older version of Patrick Stewart’s Charles Xavier, then it
just does not make any sense. Besides, the Emma Frost character in the Wolverine
movie could have easily been cut from the storyline because she was really useless
in it and just served as a display, again in diamond form. But even with this
subplot removed there are still a lot of inconsistencies left.
Again, this movie
is just a perfect tool for understanding the motivations behind each
character’s actions and philosophy in the other X-Men movies, for example:
Magneto’s lost trust in mankind, Mystique’s loyalty to him, Xavier’s paralysis
(his baldness was not explained but alluded to), etc. But then again, most comic
book purists must already be squirming in disgust right now for the many adjustments
made just to accommodate the whims of Hollywood movie producers and the
desperate attempt to connect the movie to the other four in the series.
Acting seems to be
the strong feature of this movie. The bromance between bald head and magnet guy
is heavily backed up by the good rapport between Fassbender and McAvoy.
Lawrence delivers an honest performance as the blue freak despite being the
exact opposite in real life. Tell me that she actually feels ugly off-screen
and I will hit you with my laptop. Even Kevin Bacon is menacing and creepy enough
as the evil mastermind who steals energy to use as his own weapon. This movie
is worth it. Watch!
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