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Four young women from different social backgrounds join a
beauty contest with various motives. Demure Dina Espinola (Dina Bonnevie) wants
the car; spoiled rich brat Suzanne Reyes (Jennifer Cortez) is eyeing the trip
to California as an alternative for a boring summer; social climber Bambi
Belisario (Bambi Arambulo) sees the 20,000 peso cash prize as a way for her
extravagant 18th birthday party to push through in light of her family’s dire
financial situation; while con artist Azenith Tobias (Azenith Briones) dreams
of winning the house, and is planning to seduce the judges for a sure win. The
four make it through the preliminaries, but in an interesting twist, the yacht
they are boarding en route to the evening gown portion catches fire. Along with
Suzanne’s loyal maid Maria (Deborah Sun) and a bunch of guys, they all get
marooned on a deserted island. Amidst their grand delusions of giant fried
chicken and ice cream fuelled by their desperation for food and comfort, the
girls also face an even bigger dilemma: surviving each other.
The film somehow bored me, although the quotable quotes: “Rub-a-dub-dub,
two bitches in a tub” and “I have no time for middle-class sentiments” among
others, were enough to hold my short attention span for two hours or so. Coming
from the perspective of someone living in 2011, I could not help but think that
this movie somehow became a precedent for most of what we see on television
today. Seeing those people with contrasting personalities stranded on an island
and bickering with each other was like watching an episode of Survivor or Big
Brother. Come to think of it, this formula is sort of commonplace on TV
nowadays, which makes me think that this movie was released 30 years too early.
Furthermore, most movies produced during that period, if I am not mistaken, were
mostly a mix of slapstick comedies and formulaic dramas, with the former now reformulated
to suit modern tastes (ex. Wenn Derramas comedies) and the latter mostly
confined on television via teleseryes. I could only imagine how out of the box
this movie had seemed during those days.
Having been released five years before I was born, Dina
Bonnevie was the only one that I actually recognized from the cast. It seems
pretty clear that the careers of the other three girls failed to take off,
while the men have either disappeared from showbiz or died, in the case of Ricky
Belmonte and Alfie Anido. While the acting generally seems to be lacking and a
bit technical at times, the rapport among the cast is just right for you to
actually give a damn about them. The endless feud between elitist Suzanne (who
seems to be the template for the modern coño) and tactless Azenith (think 80’s
Marian Rivera, who incidentally got the role in the remake) provides the conflict
that keeps you interested in the plot, while Bambi’s and Dina’s respective love
stories deliver the romance. The gay co-producer of the pageant is the main
source of comedy through his witty lines and flamboyant delivery, while the
Maria character takes care of the slapstick factor. This odd mix results in a film
that was surely ahead of its time, definitely a cult classic.
Where did I watch? Torrents, my friend. It is not as if I had a choice. If there were original DVDs for sale I would buy one without hesitation.
Where did I watch? Torrents, my friend. It is not as if I had a choice. If there were original DVDs for sale I would buy one without hesitation.
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