Dave
Skylark (James Franco) is the host of an entertainment TV show notorious for
its lowbrow interviews which contribute nothing to the betterment of society. Producer
Aaron Rapoport (Seth Rogen) is ever supportive, but begins to doubt his purpose
in life after receiving an offhand remark regarding his job from a college friend
who works for serious news. He sees an opportunity to be taken seriously when
they find out that North Korean dictator Kim Jong Un (Randall Park) is an avid
fan of the show, and is willing to do a scripted interview with them straight
from Pyongyang. CIA Agent Lacey (Lizzy Caplan) contacts the duo proposing a
plan to discreetly assassinate the dictator in order to free the country from
his repressive government. Dave, however, finds this hard to do as he spends
more time and gets to know the dictator on a more personal level.
It
is impossible to talk about the film now without taking into consideration the
global fuss it has caused. That North Korea reacted the way it did to a satire
like this is simply unfortunate, given how everyone knows that this movie is
just part of the mainstream fodder Hollywood manufactures every year. It’s Seth
Rogen and James Franco, and those who take them seriously are clearly the ones
with issues. While the latter has already been nominated for an Academy Award,
he is really more popularly known for his wacky movies that do not really make
sense most of the time. For him to be a reason for a country on the other side
of the world to be all primed up for "merciless response" seems trivial at best.
On
the contrary, this does not excuse the arrogance and ignorance of most
Americans when it comes to territories over which they have no dominion, but
this works both ways and also applies to the self-centeredness of nation-states
who think that the world should bow down to them. After all, this is an
American film made by Americans for Americans. The American government itself
is not even involved in producing this film, and neither is it forcing any
other country to play it in their cinemas. The film is offensive alright, but
should be taken with a grain of salt.
What Sacha Baron Cohen did in Borat is actually more repulsive, given how he actually conned people into believing that he was making a documentary. There is clear deception there. But for The Interview, there really is nothing but absurdity, and absurdity is not a crime. The movie stays loyal to most of the other collaborations that Rogen and Franco have already done in the past. The subplots are outrageous and rely on crass humor to elicit laughter, which works when you just want to watch something ridiculous and laugh your head off after a very tiring day.
Park’s portrayal of Kim as a soft-spoken dictator is also a constant source of comedy, and even humanizes him somehow. Diana Bang also steals a lot of scenes she is in as Agent Sook, and together with Caplan, brings a much needed hint of femininity to balance an otherwise testosterone-driven storyline. And of course, who can forget the repetitive use of Katy Perry’s Firework, which even figures in a midtempo rendition in one of the plot’s crucial parts.
What Sacha Baron Cohen did in Borat is actually more repulsive, given how he actually conned people into believing that he was making a documentary. There is clear deception there. But for The Interview, there really is nothing but absurdity, and absurdity is not a crime. The movie stays loyal to most of the other collaborations that Rogen and Franco have already done in the past. The subplots are outrageous and rely on crass humor to elicit laughter, which works when you just want to watch something ridiculous and laugh your head off after a very tiring day.
Park’s portrayal of Kim as a soft-spoken dictator is also a constant source of comedy, and even humanizes him somehow. Diana Bang also steals a lot of scenes she is in as Agent Sook, and together with Caplan, brings a much needed hint of femininity to balance an otherwise testosterone-driven storyline. And of course, who can forget the repetitive use of Katy Perry’s Firework, which even figures in a midtempo rendition in one of the plot’s crucial parts.
Laughs
aside, The Interview does not really offer anything substantial to the political
discourse regarding the two Koreas. As a political critique on the current
regime in the North, it does nothing but echo what the West has already decided
to believe about the said dictatorship from way back. This brings us back to
the main argument: If you take this film seriously, then the joke is obviously
on you.
When
a locally-produced film criticizes a regime halfway across the world, no matter
how uninformed the critique may appear to be, that still falls under freedom of
speech. If anything, it is only reflective of the damaged culture that country
has, which is their problem, not ours. But when one country dictates what movies
another should be watching and threatens military action if not acknowledged,
is that not an evident attack on sovereignty?
0 creature(s) gave a damn:
Post a Comment