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World War II, 1940. After
France succumbs to the advances of Nazi Germany the remaining allied soldiers gather
at the coastal town of Dunkirk to await evacuation. As the enemy gains more
ground and bombs are continuously dropped on the retreating forces, hope starts
to flicker. On the other side of the English Channel, civilian ship owners sail
toward the battle in an effort to evacuate as many soldiers as they could
within the holding capacity of their tiny sailboats. Soaring through the skies,
a trio of Royal Air Force pilots do their best to deter the air strikes of
German fighters despite the rapidly dwindling fuel supply of their Spitfires. Tommy
(Fionn Whitehead), a young British private, is the only one to survive a ground
attack that kills his entire unit en route to the evacuation point. Holding on
to nothing more than the prospect of getting back to Britain in one piece, they
must endure the non-stop attacks coming from all sides, all while attempting to
help their comrades survive as well. Will their efforts suffice to make it back
home?
Apparently, Whitehead is a
newbie. In a way this is a good thing because the viewer does not end up
distracted by star power or anything to that effect. Here you just have an
ordinary lad forced to join a war not so far from home, not some big Hollywood name trying
hard to be one. It can happen to anyone. You don’t want him to survive because
he is Matt Damon or Tom Hanks. You just want him to make it through because he
can be your brother, your nephew, your classmate. We are not saying that
Dunkirk is anywhere near the vicinity of the term “documentary”. It’s just that
the main attraction here is the story itself and it’s nice that such focus is
maintained. There is no big hero who saves everyone from the impending doom. Instead
we see a concerted team effort that eventually pays off, and the result just leaves
you teary-eyed.
There are so many characters
but only a handful of them turn out to be memorable. Perhaps your sympathy will
be directed toward those who are more relatable. In our case, that would be the
father and son tandem manning their sailboat. Not having participated in any
war so far, we have to find someone whose situation is closer to ours. Nowadays
civilians residing in more peaceful locales can contribute indirectly via
donations and efforts not necessarily in the battlefield. Seeing those civilian
boat owners rush to the war zone instead of sailing away from it fast is a
unique aspect that gives you a different perspective of the event, a really
touching one to say the least.
Oh wait, we have to mention
Cillian Murphy. His character is the best example of the irreversible damage
war can inflict on a human being. To some the character will serve as a villain,
but if you look closely he is actually there as a representation of the
collateral damage in conflicts like this, not in a literal sense but rather a
metaphorical one. You often meet people like him in nursing homes who have
advanced in terms of age but are forever scarred by the trauma they have
experienced decades ago. It’s sad and it angers you at the same time, but they
are the best living proof of how war does not really end after treaties are
signed or penalties are imposed. Peace might be temporarily restored, but the personal
damage to those dragged into it tend to be eternal. No money or verdict can change
that.
Nail-biting. Intense.
Hair-raising. You will easily run out of superlatives and expletives to
describe this film. Nobody ever wants to experience the atrocities of war in
his own lifetime. Of course, there is a grand difference between being a
spectator and a participant to fully understand how such an event can damage a
human being. But Christopher Nolan is such an expert when it comes to maximizing
the combined power of image and sound to make you feel as though you were in the
scene yourself. Dunkirk is compelling like that, which makes it particularly
difficult to watch. If this film does not end up winning at least one technical
Oscar, then there is no justice in this world.
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